pheliskougra (
pheliskougra) wrote2011-09-29 05:57 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
The Last Stand
It's a dark stormy night might be a cliché in story-telling, but it's also stark reality now: the patter of heavy rain and the crack of thunder rousing you to conscience.
You are inside your sedan, face-first into the deployed airbag. Your chest hurts a little from the yanking of the seatbelt, but besides that minimal discomfort you seem uninjured.
The car is halfway into a ditch beside the road, the left-side light still on. The engine is stopped, and the whole of the car is askew, stuck in an odd angle. There's a crack on the windshield, passenger side, and the rain is washing off what seems to be blood.
You remember... a person, running into the road right in front of you. No time to stop, and you only had a glimpse before hitting the person, losing control of the car and crashing.
Probably you should do something about your current situation.
Who are you?
Why were you going to Union City?
You are inside your sedan, face-first into the deployed airbag. Your chest hurts a little from the yanking of the seatbelt, but besides that minimal discomfort you seem uninjured.
The car is halfway into a ditch beside the road, the left-side light still on. The engine is stopped, and the whole of the car is askew, stuck in an odd angle. There's a crack on the windshield, passenger side, and the rain is washing off what seems to be blood.
You remember... a person, running into the road right in front of you. No time to stop, and you only had a glimpse before hitting the person, losing control of the car and crashing.
Probably you should do something about your current situation.
Who are you?
Why were you going to Union City?
no subject
Right. First things first: find someone neither dead nor undead and find out what the hell happened.
Oh, and head-shot any zombies that are trying to munch on her along the way.
no subject
You have 48 rounds of ammunition left.
Turning into Smith Street (seriously, who names those things?) you see a sign spray-painted on the asphalt. The same sign is painted on a house across the street.
The house... well, it seem to have been reinforced, a chainlink and barbed wire fence set up, bars in the windows and steel shutters, a barred gate bolted to the wall over the doors.
no subject
Annabelle eyes the fence, looking for a way in.
no subject
no subject
Yeah, sorry. Someone saw that Saturday Night Live skit for the first time recently.
no subject
no subject
no subject
no subject
She opens the door and goes on through.
no subject
no subject
no subject
There are three people in the living room: a balding, short man, a tall, strong one with a buzzcut, and a pretty young woman with cropped black hair. Jackson introduces them as Ed Boone, Ed's son, Ted Boone, and the woman as Monica Anderson.
"Ray, Peter and Sarah are upstairs. And... I guess that's all." Seven people.
Out of a few thousand at least who lived in the area.
no subject
She mutters a veritable dictionary of profanity and then sighs. "It's good to meet all of you, it's just...." she apologizes. She expected more people to be alive, you see.
no subject
Jackson shakes head. "We're holding on better than most. Are you hungry or thirsty? HERC left us supplies for a few hundred people, my basement is packed."
While this, Monica's looking out the front window, frowning.
no subject
no subject
Jackson notices that, and speaks up. "Monica's husband is inside the city proper... she wants to go in to find him."
Ted Boone speaks up too. "Most of the... zombies, moved there. The army blocked the bridge over the Union River with barbed wire, and the shamblers just went thru the water. HERC is trying to set up blockades to contain whatever is causing this."
Monica looks at them all. "I'm going as soon as morning comes. I'm going to find Steven, no matter what."
no subject
Yes, she's volunteering to go into town. We never said she was SANE.
no subject
No, seriously, with that little 'peashooter', even you would be hard pressed to drop a zombie.
"We could check the police precinct, they might have left something there." Ted speaks up again. "Also, there's that hunting and fishing store on the Old Road."
Jackson gives a nod. "I think we all could use some weapons... those going and those staying. And extra ammo too." He gestures to a small table near the door where a Death Adder .45 revolver is resting, at hand for quick use.
no subject
This may be Annabelle's Guiding Principle of Life, you never know. "Which of them is closer to us?"
no subject
"I guess we could make a run for it. But some have to stay to keep the Woodruffs quiet." Jackson nods.
no subject
no subject
Ted shakes head. "Myself, Monica and Annabelle could take care of the gun run? A few shotguns, maybe a rifle, a couple handguns, and as much ammo as we can carry. They have those big camping backpacks there."
no subject
Well, they probably know what that means.
no subject
Monica finally moves away from the window, and sinks into the couch.
no subject
It's not like anyone's going to sleep, right?
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
(no subject)
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...
...